Alfonso hüppi. Biografie

Stefan Ettlinger

alfonso hüppi

In Passepartout Absentee bidding only for this lot untill March, 26th, 2009 7pm Composition, 1965, felt pen on paper, signed and dated on the back, 23,5x23,5cm. In principle, any found object may serve as the support or raw material for his works. From there he went to Baden-Baden, where he was employed at the Staatliche Kunsthalle from 1964 to 1968. His works are way stations, his aeuvre will be a total work of art' Huber, quoted in: Exhibition cat. Measuring a good two metres in diameter, this head disk is perforated with eye-slits, some of them filled, by way of commentary, some of them left empty. Museum Goch Kunsthaus Grenchen Kunstmuseum Stuttgart Sammlung C.

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Stefan Ettlinger

alfonso hüppi

Stefan Ettlinger, Sechsundsechzig, Siebenundsechzig, Achtundsechzig, sixtysix, sixtyseven, sixtyeight 2009, 145 cm x 198 cm, oil and egg tempera on canvass The scene -like moments can not decrypt the content. The artist defies all clarity in his Crumpled Sheets, works consisting of the very finest bible printing paper painted with acrylic and then evenly crumpled and compressed into balls, some of them left in this most obscure, spherical state and then crated Cat. In much the same way as he prepared the wooden supports for his paintings, the paper was cut, made to bulge, crumpled and torn either before or after being painted, or sometimes both before and after. Alfonso Hüppi trained as a silversmith in Luzern in 1950 before studying at the Kunst- und Werkschule Pforzheim and the Hochschule für Bildende Kunst in Hamburg after 1954. Wolfgang Henze translated by John Brodgen, Dortmund.

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Thaddäus Hüppi

alfonso hüppi

During the years that followed, numerous silkscreen prints were produced as variations on this motif of the tree, these variations themselves then being varied in turn Cat. Filzstift auf beigem Papier, links unten signiert und datiert: Hüppi 65. Robert Häusser acquired directly from the artist. The outline of a field of colour may be more meaningful than the field of colour itself, while a wooden board cut with a graceful sweep of the saw can simply dematerialize, as though swept away, leaving only the sawcut line. .

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Alfonso Hüppi : Net Worth, Age, Height, Dating, Bio & Wiki!

alfonso hüppi

Nevertheless, a comprehensive treatment of his oeuvre, which would be desirable, indeed urgently necessary, has yet to be undertaken. The figures are doing something, and then again, nothing; they seem to represent something, and then again, nothing; now they are fabulous creatures, now they bear human features, embryonic forms that could just as readily mutate into animals. Check back often as we will continue to update this page with new relationship details. An old wooden door, for example, was the support for his Hommage à Tadeusz Kantor Cat. Gesellschaft der Freunde junger Kunst, Baden-Baden Neue Kunst 2001, Kloster Obermarchtal Das Jahrhundert im Blick der Sammlung, Museum für Neue Kunst, Freiburg 2000 Eine Backstein Intervention, Littmann Kulturprojekte, Basel 11. Only black and slight tinges of white, pink and perhaps some golden bronze remained, emerging monochromatically from the shadows of the spruce boards arranged in different directions and from their irregularly darkening surfaces.

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Alfonso Hüppi : Net Worth, Age, Height, Dating, Bio & Wiki!

alfonso hüppi

Lose auf Unterlagenkarton an den oberen Ecken. He finished the Academy time in 1985 as a master student. Jahrhunderts die Geschichte des badischen Rheinfelden erst richtig begann. Zeichnungen, Aquarelle, Bilder, Objekte 1959-1985, Galleria Henze Campione d'Italia, catalogue 33, Lugano 1985, p. There arose a variety of drawings on paper and hardboard. We can certainly expect some surprises.

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Texts

alfonso hüppi

Am linken Rand in Passepartout geheftet. It is reminiscent of the motto that is written in large letters at the entrance to the Giardino: »Hic terminus haeret« — »Here stands the terminus«, although Daniel Spoerri prefers to translate the term »terminus« with »boundary« or »transition«. Namibia Figürliche Studien 2-7 5 Bleistiftzeichnungen. Numerous solo and group shows have been devoted to his diverse and prolific aeuvre since the mid-1960s. These 360 faces, white and bright on one side, black and dull on the other, stare at the visitor like masks in the Theatre of Ostia Antica near Rome.

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Biografie

alfonso hüppi

His templates are mostly film stills, photographs and self-made sketches. Das grundlegende Motiv des Baumes beschäftigt Hüppi immer wieder in seinem Schaffen, hier als eine hochstilisierte, rhythmisch strukturierte Baumform in rosa Umrahmung. Verlag für moderne Kunst, Nürnberg. As professor emeritus Hüppi continued to support young artists and together with Erwin Gebert he founded a museum in Etaneno Namibia as a forum for contemporary art. The sawn ends of the logs were painted white at one side of the pile and black at the other, each end face then being drilled with holes for the eyes, nose and mouth.

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